"If such works exemplify painting from a digital place, the London-based Diana Taylor’s forthcoming show of paintings at Don’t Look Projects, Los Angeles comes from the opposite direction. Layering the graphical matrix of Gustave Doré’s engravings together with a surfeit of other patterns over a pixellated bitmap, the artist makes legible the collapse of analogue and digital organising principles that AI obscures." - Alex Estorick
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