Elyla
Prayer for Tending Death (Una Oración para Acompañar la Muerte) (2024)
Single-channel digital video
11:47 min
Edition 2/5
Screened 8-28 February 2026
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After death cast its shadow over both their inner world and their homeland—specifically targeting the LGBTIQ+ community—Nicaraguan artist Elyla infiltrated the patriarchal, heteronormativeworld of cockfighting to explore how collective pain might be transmuted through community healing rituals.
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Still from Prayer to Tending Death (2024) by Elyla -
Imani Heijmans
In response to Prayer for Tending Death by ElylaThe Unprotected Protectors/We Sacrificial Roosters
If we die
May we be cradled
Tangled in the arms of Mama Aisa
Into a softness that we are owed
Into softness re-taken
Rooted again like feathers.Plucked
Pain… I shake.
I had never seen a cock fight before.
Or maybe I have (at my high school)
Gray polos; sweat-stained, ears glinting, pocket knife pulled out
Theater
Brown boys; acting
In hopes of erecting the men they have been groomed to become
We are
Raised into violent present(s)
like
Knee-high gladiators
Thrown in bare-chested
Un protected
Bumpy skin
Raw
We lie bleeding
Then
We stop ourselves from drowning.
We suck the blood out of our own throat
Preserving the fluids so we can cry instead of bleedSurvival interlude
It is hard for me to write about roosters outside of
our symbolic status. Macho, virile, and hopeful. Here
I often felt myself perpetuating the same processes
that strip inherent meaning and “value” from my
indigenous, black, queer, leopard, and palm siblings.
The sterilisation of being. Even in simply being, our
bodies, animal bodies, are made into expendable tools
through which colonial capitalist patriarchy
exercises its need toward violence. We are tangled in
the barbed wire of categorization.
Captured again and again until no shred of flesh is left.When I die
And my spirit rises like smoke into the every thing
Guided by the click of acrylic talons
May the cuntiest cocks hold vigil
They who care for un cared bodies
They who transmute
They who love despite -
Portrait of Elyla by Barbara Thumm
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Photo by Imani Heijmans, Amsterdam (2026) -
Interspecies Entanglements
Interspecies Entanglements is a programme of films made by contemporary artists, that interrogate the tensions and possibilities of the human-animal relationship from a range of different perspectives and cultural contexts. The programme foregrounds how artists are working to reimagine more ethical relations with nonhuman animals through interdisciplinary modes of practice. With a focus on expanded performance methodologies, it positions artistic practice as a meaningful site through which to enact more affirmative animal relations. From an intersectional and inclusive perspective, the programme aims to address how animal oppression overlaps with other forms of contemporary oppression in capitalist-colonial contexts. These complex entanglements are elaborated by scholars and artists invited to enter into dialogue with the films through newly commissioned texts.This programme is curated by Florence Fitzgerald-Allsopp and kindly supported by the Culture and Animals Foundation.




