Interspecies Entanglements: Elyla | Prayer for Tending Death

8 - 28 February 2026

Elyla

Prayer for Tending Death (Una Oración para Acompañar la Muerte) (2024) 

Single-channel digital video

11:47 min 

Edition 2/5 

 

Screened 8-28 February 2026

  • After death cast its shadow over both their inner world and their homeland—specifically targeting the LGBTIQ+ community—Nicaraguan artist Elyla infiltrated the patriarchal, heteronormativeworld of cockfighting to explore how collective pain might be transmuted through community healing rituals.
  • Still from Prayer to Tending Death (2024) by Elyla
  • Imani Heijmans

    In response to Prayer for Tending Death by Elyla

    The Unprotected Protectors/We Sacrificial Roosters 

     

    If we die 
    May we be cradled 
    Tangled in the arms of Mama Aisa 
    Into a softness that we are owed 
    Into softness    re-taken
    Rooted again like feathers. 

    Plucked 

    Pain…      I shake.                       

    I had never seen a cock fight before.
    Or maybe I have (at my high school)
    Gray polos; sweat-stained, ears glinting, pocket knife pulled out 
    Theater 
    Brown boys; acting
    In hopes of erecting the men they have been groomed to become 
    We are 
    Raised into violent present(s) 
    like
    Knee-high gladiators 
    Thrown in bare-chested 
    Un protected  
    Bumpy skin 
    Raw 
    We lie bleeding 
    Then 
    We stop ourselves from drowning.

    We suck the blood out of our own throat
    Preserving the fluids so we can cry instead of bleed

     

     Survival interlude  

    It is hard for me to write about roosters outside of
    our symbolic status. Macho, virile, and hopeful. Here 
    I often felt myself perpetuating the same processes
    that strip inherent meaning and “value” from my
    indigenous, black, queer, leopard, and palm siblings.
    The sterilisation of being. Even in simply being, our
    bodies, animal bodies, are made into expendable tools
    through which colonial capitalist patriarchy
    exercises its need toward violence. We are tangled in
    the barbed wire of categorization. 
    Captured again and again until no shred of flesh is left.

     

    When I die 
    And my spirit rises like smoke into the every thing 
    Guided by the click of  acrylic talons 
    May the cuntiest cocks hold vigil 
    They who care for un cared bodies
    They who transmute
    They who love despite

  • Elyla

    Portrait of Elyla by Barbara Thumm

    Elyla

    Elyla (Chontales, Nicaragua) is a performance artist, activist, and researcher who explores ritual and communal practices of belief, spirituality, transcendence, and resistance as ways to rupture colonial and rationalist narratives of identity, land, and belonging. Through performance, installation, archival research and ritual, they awaken dormant cosmologies, queer dissidence, and ancestral memory to propose situated, political, and spiritual forms of becoming rooted in Central American histories. Their work is held in the Museum Reina Sofía, Museum Thyssen-Bornemisza TBA21 Collection, Ella Fontanals-Cisneros Collection, Ortiz-Gurdián Collection, and KADIST collection. Biennials include Biennale di Venezia (2024), Toronto Biennial (2024), the IX, X Biennial of Nicaragua, IX, X Central America Biennials and the XII Biennial of Havana, Cuba. They live between Masaya, Nicaragua and Basel, Switzerland

  • Imani Heijmans
    Photo by Imani Heijmans, Amsterdam (2026) 

    Imani Heijmans

    Imani (they/them) is a queer Surinamese creator re-discovering their mediums. Caribbean thought and Decolonial dreams underpin their work. Their primary inspiration and research focus is oceanic thinking, in which they treat the ocean both as a more-than-human mother and as a symbolic tool to express and explore ancestral trauma. They are currently studying at the Reinwardt Academy in Amsterdam. They hope to one day use art and heritage as a means to lower the barriers to education and “knowledge creation”.
  • Interspecies Entanglements

    Interspecies Entanglements is a programme of films made by contemporary artists, that interrogate the tensions and possibilities of the human-animal relationship from a range of different perspectives and cultural contexts. The programme foregrounds how artists are working to reimagine more ethical relations with nonhuman animals through interdisciplinary modes of practice. With a focus on expanded  performance methodologies, it positions artistic practice as a meaningful site through which to enact more affirmative animal relations. From an intersectional and inclusive perspective, the programme aims to address how animal oppression overlaps with other forms of contemporary oppression in capitalist-colonial contexts. These complex entanglements are elaborated by scholars and artists invited to enter into dialogue with the films through newly commissioned texts. 
     
    This programme is curated by Florence Fitzgerald-Allsopp and kindly supported by the Culture and Animals Foundation